"Faith. Oh, God. I have such contempt for that word. Show me someone who relies on faith and I'll show you someone who's given up control over whatever it is they believe."
Early on during The Discovery there were some hiccups in the script that made me cringe a little, and I thought I was taking a dive into a film with a fascinating premise that would fail to appropriately execute it. I was so drawn into that premise though, one that tickles me in just the right spot in regards to what is quite possibly the greatest mystery our world will ever know: what happens when we die?
It's a mystery I struggle with on a somewhat regular basis, to be honest. I love being alive and the idea of a complete lack of existence is haunting. I want to believe in something greater than me, whether that be a deity or a powerful energy that connect us all or perhaps something else entirely that no one has even been able to conceive of as of yet. I look for proof of this throughout the world around us, as a beautiful day, a remarkable and deeply personal bond or the birth of a child serves as a far more profound message of something else guiding our world than a book could ever deliver for me. I want to believe and I desire to know the truth, but I don't have faith.
I have read various studies and the resulting theories regarding an afterlife or lack thereof, but I have always wondered, what if actual proof of an afterlife was attainable? On the one hand, finding out another plain of existence is undeniably awaiting us would provide me with some comfort, knowing I could live out my days with a peace of mind that something awaits. However, it is safe to say that such an enormous and world changing revelation would not lead to only smooth sailing for everyone, and the brand new Netflix original film The Discovery delves into that territory.
With an extremely talented cast made up of Jason Segel, whom had stepped away from the acting spotlight for a couple of years prior to this, the brilliant Rooney Mara, the legendary Robert Redford and great supporting work from familiar faces Jesse Plemons and Riley Keough and of course the always lovely Mary Steenburgen, The Discovery is not lacking in terms of performances and after those rough bumps I mentioned early, the screenplay really settles in and delivers some intriguing and meaningful dialogue as the story progresses. The film really takes off for me during a scene when a test is being done during the quest to find the definitive proof to back up the public claims made by Thomas (Redford), a scientist who made the public declaration that an afterlife and as a result millions have taken their own lives in order to reach the next chapter of existence. His son Will (Segel) continues to be skeptical of his findings, and such skepticism presents two utterly fascinating questions that I continue to think about long after the film ended: what if the initial claims were wrong and so many people died as a result of them, but perhaps even more of a mind fuck, even if it's true, who's to say what happens next is actually better than what we have today?
Directed by Charlie McDowell, son of Malcolm McDowell and Steenburgen whom appears in the film, and co-written by McDowell and Justin Lader, The Discovery has a heavy vibe to it due to its premise but that's exactly the tone I am looking for when seeking out films covering such subject matter. I want my own mind to be challenged during and after the picture with the questions it presented, and this has proven to be the case with The Discovery. Various scenes like the one I mentioned earlier that allowed the movie to really take off continue to dance through my head, and I have no complaints. A few steps short of anything masterful, but Netflix has offered plenty of meat to chew on here, a welcome original film only a few clicks of the remote away from the comfort of your own home.